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impacting our daily commute to work with traffic suggestions and securing our bank transactions for fraudulent transactions. Many are worried about how AI could use their data (for instance, facial recognition which could lead to us being under surveillance almost all the time). AI could help improve the quality of life for us in many ways, such as helping people with disabilities communicate and monitoring the wildlife.
Are the potential advantages from these technology outweigh their negative consequences?
It's not the way it's used that's important.
Technology doesn't have to be always bad. It’s all about the mindset we create about technology, and the ways that we use it. VPNs, for example, can help you protect your privacy. But, they may also be harvesting your data. If the regulations are in place, technologies built around amassing information could significantly improve lives. However, it is a question of whether there's a push for these regulations that holds groups who violate these regulations--and people's privacy--accountable.
Google and Facebook are affected by faulty chips that quietly cause data corruption
Google and Facebook two of the world's most popular internet businesses have found out that their computers' chips are failing. This could lead to data corruption or make it hard to unlock encrypted files. Facebook states that hardware makers should be aware of the problem that has arisen because of the huge amount of computing resources that the companies use.
Google discovered the problem when multiple engineering teams reported problems in their computations. However Google's regular diagnostic tools were able solve the issue. The investigation found that there were numerous instances of...
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A walking excavator autonomously can dig trenches or construct walls.
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A prototype of an autonomous construction vehicle weighing 12 tons has shown that it can perform on difficult terrains with no assistance of an operator human.
The first excavator able to "walk" on struts that extend and manage steep slopes without human operators has been converted by a Swiss-German team. They utilized the modified walking excavator create a stone wall of 4m height and grab trees to simulate forestry work. They also employed it to excavate ...
Stealthy marine robot begins studying mysterious deep-water life
It's possible to track underwater creatures remotely, and not disturb them. This will allow us to better understand the biggest daily migrations of life on Earth.
Mesobot is a robot that weighs 250 kilograms. It can be used without a source of power or tied to a light fibreoptic cable that allows it to freely move beneath the surface.
Collectors: What to do If your artwork is damaged
After waiting patiently for the perfect offer, you negotiated the price and finally closed the deal on an art work from an artist you've admired for a long time. So now what?
What happens if that artwork arrives on your doorstep with a gaping crack in the crate
A gallery purchase is only half of the journey to purchasing an artwork. Once the artwork is removed from the studio of the artist to the gallery, it will be returned to the original place.
After being placed in its place, displayed or purchased the item is shipped to you, the purchaser. It doesn't matter what the transport company employed to ship it.
Every art shipment is a wager on the fate of the artist and his surroundings.
Be sure to protect your items during transport. Choose your carrier carefully
It's recommended to have all shipping details discussed prior to purchase or during the sale. If the purchaser is paying shipping charges,
So that you can keep a record of your visit, ensure that the gallery has all of the details.
If you have any concerns you should inquire with the gallerist or dealer for a line such as "Work will be packed in a shadow box before being delivered in a crate."
When work appears in the form of a small cardboard box you will have evidence that the terms of sale are not being correctly implemented.
Another best practice is to always pay for "insurance-while-in-transit" through the shipping company itself, which they will apply to the bill and which is
The value of the artwork is typically the basis of the price. If the shipping company has their own insurance policy to safeguard artworks during transit, they are generally more
They tend to treat the art as their own.
It is recommended that you choose the right carrier. Artnet interviewed Laura Doyle, Chubb Insurance's fine art specialist.
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Customers are frequently asked how to transport an object. We always recommend that the truck has GPS as well as climate and security controls as well as two drivers. Also, when we advise
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If any point, be on a straight, non-stop route. Contact the gallery for confirmation, or call the shipping company directly.
It is possible to confirm these directly. Having a paper trail is always the best way to confirm them.
Refuse delivery
The most effective option to take if a shipping company sends a damaged crate your residence is to deny it
delivery. Doing so will put the impetus on the shipping company as well as the person who is shipping (i.e. the gallery that organized shipping is accountable for deciding the next steps.
Take action immediately to resolve the problem.
Accepting the delivery of a damaged or defective box is not in your long-term interests. Be sure to be present when delivery is made to avoid disappointment.
You can inspect and inspect the crate/box/tube. Before you sign off, examine the crate/box/tube. If you are not able or unwilling to sign the form or sign off on a crate, obvious damage is removed.
Do not worry about losing your investment at the door.
Photograph everything even if there's no evidence of damage
Documentation is utterly critical in proving that the damage to the work was caused prior to its arrival at your home. The widespread usage of mobile phones makes it simple to capture images at home.
Some estates of artists have stopped providing COAs. However any gallery with a good reputation should be able provide a COA for in the event that the artist is alive.
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sale.
Artwork Archive's Premier Collector plan lets subscribers upload and store digital copies of every COA of the artwork using its "additionalfiles" function.
Do: Verify the materials employed
It is not required for paintings that are oil or acrylic-on-canvas to be confirmed the materials used. Mixed art works will require further confirmation.
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For media pieces, it is recommended that you get a complete listing of items from the vendor. This could be due to various reasons.
Certain materials might not age well or have an extended shelf life, which you as the buyer must be aware of prior to making a purchase. Multimedia work could comprise
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Components, such as light bulbs, that require to be replaced eventually -- but what do you do if the components aren't being made anymore? Caveat
Emptor.
Damien Hirst's "rotting shark" is probably the most well-known example of this situation. Its title is"The Physical Impossibility of Death in the minds of someone.
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Living that was advertised at more than $10 million in the 2000s, despite its apparent decay, was sold.
Tate wrote an article in 2003 stating, "The formaldehyde solution for The Physical Impossibility to Death in the Mind Of A Living Person was found."
It was so cloudy that it was difficult to discern the animal within the case. Therefore, it was not surprising that Larry Gagosian, the dealer, announced the substitution
"The shark is to be seen in the same way as a replacement for a neon tube in Dan Flavin's installation." Damien Hirst's studio is now
Any animal older than 10 year old can be swapped out by the artist.
Set SMART goals in your art business
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Artists have a lot of different ideas and projects. It's not difficult for anyone to become lost, or climb a thousand steps.
You can take many routes at the same time, and not notice that you have changed direction from the original path.
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You could be an artist who is already working in full-time. Think about the reason you decided to pursue this option. Was it autonomy, freedom, or the ability to express yourself? You're not there yet.
Take the leap, but be clear about your reasons to pursue this profession.
Your personal goals must be backed by your art, galleries, projects, or business decisions.
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Before you set your goals, you must define your definition of success.
Think about the areas of your life that you cannot sacrifice. These areas will be the North Star of your business and your goals. There's a reason you don't want to work in this field.
Whether you are seeking an old-fashioned job or shift in your career, this is the right time. It was an entirely new experience to be an artist. Do you want to pursue it? Travel? Fulfillment? Fulfillment
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Ability to enjoy the cup of coffee each morning. What happens to your lifestyle when you reach your goals in business through art?
Instead of setting goals for the whole year, set quarterly goals.
Many career or life coaches suggest that you create your goals around the "aspirational Word of the Year".
"ambition", "organized", "bold", "experimental"--anything you want to cultivate in your upcoming year. The word "ambition" will become the central base from which the other terms can be drawn from.
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Follow your goals and intentions.
It is difficult to pick one word or goal for all of the year. Artist-entrepreneurs know that there are seasons for their business. There are different seasons
There will be different "vision words" and goals. The start of each year is different from the festive season, the work and art fair seasons.
Forget about a time of renewal and rest.
Your goals and vision word shouldn't change through the course of the year. This could lead to misalignment with the overall vision. Setting monthly goals as well as setting a target for the year.
You can reach the gallery to provide all the documentation related to the damage as quickly as you can. The documentation should also include photos of the area that was damaged.
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Damage, and notes on the extent of the damage. While the gallery could have provided one, you are able to add your own condition report.
shipment. Here are some templates for condition reports as well as an outline of the best methods.
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As they may be needed for the event of an insurance claim, or if you are selling your artwork ensure that you have a backup of the condition reports.
resell the piece in the future. Artwork Archive, a database that stores the artwork's information, allows collectors to keep them in their important documents.
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Prepare reports for sales, insurance, and appraisals.
How to Add Metadata To Your Image Files
Image metadata can protect your digital artifact from being misrepresented or used in a fraudulent way. Metadata allows images to be improved.
It's simpler to search the web for images -- and locate them successfully -- than images that lack metadata.
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Metadata, as its simplest form, is information about information. Metadata is information that is added to digital images. It is a copyright notice.
author details, date(s), location(s), and descriptions.
These information should be incorporated into archival pictures by professionals collector managers, registrars and other industry experts.
It's an easy process that will aid you in protecting your information and intellectual property. It also plays crucial of cataloguing your work.
Living was sold for over $10 million during the first quarter of 2000, despite its obvious decay.
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In an article written by Tate, "In 2003, the formaldehyde solution to The Physical Impossibility of Death in the mind of a living person was
The cloudy conditions made it impossible to see the animal contained in the case. It was therefore not surprising when Larry Gagosian, the dealer, announced the substitution
The shark's image of the shark should be viewed in similar ways to the replacement of a broken neon tube in an installation of Dan Flavin." Damien Hirst's studio now
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The artist is willing to replace any animal sculpture more than 10 Years Old.
It is recommended to seek an expert opinion if you're not certain about the materials used in the artwork you're looking to purchase.
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conservator.
Don't combine the original artwork with a "hand painted giclee".
Giclee prints are reproductions of original art. Hand-painted giclees are still a print and will never be as important as a painting.
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Be sure to read the fine print prior to you buy particularly if you're just browsing online and can't examine the artwork in person prior to making a making a purchase.
Do: Perform the greatest amount of due diligence on the artist or seller as possible
Even in the art industry appearances can be deceiving -- especially when they're faked. There have been many high-profile recent cases of art fraud where a trustworthy dealer is actually a fraudster.
Collectors of art commissioned by collectors for thousands or even millions of dollars
It is recommended to purchase artwork from a respected gallery or auction house in order to minimize risks. However even the most reputable galleries have been scammed by unscrupulous sellers.
every art shipment is a gamble with fate and circumstance.
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Make sure you protect your work when it is being transported. And, make sure you select a reputable transporter
It is suggested to talk about all shipping requirements prior to purchasing or at the least during the sale. The buyer, you are accountable for the shipping charges
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To ensure that you have a paper trail make sure the gallery has all of the details.
If you have any concerns you should inquire with the gallerist or dealer for a specific line like "Work will be put into a shadow box and shipped crated."
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If work arrives in a cardboard container it is evident that the sale terms were not properly enforced.
Another best practice is to always pay for "insurance-while-in-transit" through the shipping company itself, which they will apply to the bill and which is
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usually based on the value of the artwork. If the shipping company has their own insurance policy, it is generally more expensive.
The desire to treat the work as their own.
Do: Make sure to verify the materials you used
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If a painting is only oil on canvas or acrylic on paper, it might not be necessary to confirm the material employed. Mixed art requires additional confirmation.
For media" pieces, it is highly recommended to get a full list of items from the seller.
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It is important to know that certain materials aren't durable and might have a shorter shelf-life. Multimedia work may include
components, such as light bulbs, that will need eventually to be replaced. But what happens if said components are no longer manufactured? Caveat
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Emptor.
Damien Hirst's "rotting shark" is probably the most well-known example of this situation. The title of the book is"The Physical Impossibility of Death in the minds of Someone.
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Living was sold for over $10 million in the early 2000s, despite its obvious decline.
Tate published an article stating that the formaldehyde answer for the physical impermanence of death in the Mind of Someone Living was made available in 2003.
This is the time of metadata revival
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As the field of digital humanities develops and grows as it does, more and more institutions archives are being digitalized.
Important development in scholarly research. It also facilitates the democratization of collections by making them available to the general public.
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The Louvre published more than 400,000 artworks online earlier this year. However, the digital trend is at the forefront of museum innovation.
development for several years. Creative, in partnership with the Metropolitan Museum of Art, launched an Open Access platform for their Open Access platform in 2017.
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Commons.
In the year 2019 in 2019, the Cleveland Museum of Art launched their Open Access platform. This lets anyone browse their collection of images.
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public, but with as much metadata about every work as is possible.
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Viewers have the option to download metadata as a.txt file for each image while browsing the museum collection online.
Request the dealer to add in the invoice a note that says "Work will be shipped in a box with an opaque cover and will be crated."
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If work arrives in a cardboard container, it will be clear that the terms of sale weren't properly implemented.
Another best practice is to always pay for "insurance-while-in-transit" through the shipping company itself, which they will apply to the bill and which is
Artwork's value is typically the main criterion for the pricing. Shipping companies that use their own insurance to protect artworks during transport are typically more generous.
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The temptation to treat the artwork as the artwork of their own.
It is important to choose the right carrier carefully. Laura Doyle, a fine art specialist with Chubb Insurance, told Artnet that, "When we're advising
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Clients are often asked how to ship an item. We recommend the truck has GPS as well as security and climate controls as well as two drivers. And
"The truck should then be able to, if it is possible, follow a straight non-stop route." Contact with the shipping firm or ask the gallery to confirm the information.
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These should be confirmed directly. A paper trail is always a good idea.