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What the ‘Halloween’ Movies Mean
I don’t only watch horror movies; this year, I have made a conscious effort to watch as many movies from the big horror franchises as I can. I started with the “Nightmare on Elm Street” series (which I loved), I moved to the “Friday the 13th” series (which is fine), and I’m currently working my way through the “Halloween” series, whose primary antagonist is Michael Myers.
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The “Halloween” movies, if you’ve never seen them, are pretty straightforward. In the first, directed by John Carpenter and produced by Debra Hill, Michael Myers is introduced as a young boy who has, inexplicably, killed his older sister. Fast forward to 1978, and the adult Myers has escaped from a sanitarium to terrorize his hometown and, specifically, a group of teenagers (including a young Jamie Lee Curtis as Laurie Strode) who live in Myers’s former neighborhood. Myers kills several teens before turning his attention to Strode, stalking her and the children she’s babysitting through their home, before he’s vanquished (although not killed) by his doctor, Sam Loomis, played by the always-wonderful Donald Pleasence.


‘Doctor Strange’ Sequel Undergoing “Significant” Reshoots
Doctor Strange has fought mystical beings in dark dimensions and faced the might of Thanos but now faces his most potent threat: reshoots.
Doctor Strange in the Multiverse of Madness, the Benedict Cumberbatch-starring sequel to Marvel Studios’ 2016 installment, has been prescribed a major new shoot.
In what sources describe as being “significant,” the new shoot, taking place in Los Angeles, is both “additional photography” and “reshoots.”
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How significant? Insiders say that Cumberbatch and company are undertaking six weeks of shooting, if not more, working six days a week. Sam Raimi remains as helmer, and Loki head writer Michael Waldron is still on board writing the new material. It is unclear what actors in addition to Cumberbatch are involved. The crew involved is familiar with the Marvel method and worked on recent pickups for the upcoming Spider-Man: No Way Home and additional shooting for next year’s Oscar Isaac series, Moon Knight.


‘Doctor Strange’ Sequel Undergoing “Significant” Reshoots
Doctor Strange has fought mystical beings in dark dimensions and faced the might of Thanos but now faces his most potent threat: reshoots.
Doctor Strange in the Multiverse of Madness, the Benedict Cumberbatch-starring sequel to Marvel Studios’ 2016 installment, has been prescribed a major new shoot.
In what sources describe as being “significant,” the new shoot, taking place in Los Angeles, is both “additional photography” and “reshoots.”
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How significant? Insiders say that Cumberbatch and company are undertaking six weeks of shooting, if not more, working six days a week. Sam Raimi remains as helmer, and Loki head writer Michael Waldron is still on board writing the new material. It is unclear what actors in addition to Cumberbatch are involved. The crew involved is familiar with the Marvel method and worked on recent pickups for the upcoming Spider-Man: No Way Home and additional shooting for next year’s Oscar Isaac series, Moon Knight.


‘Doctor Strange’ Sequel Undergoing “Significant” Reshoots
Doctor Strange has fought mystical beings in dark dimensions and faced the might of Thanos but now faces his most potent threat: reshoots.
Doctor Strange in the Multiverse of Madness, the Benedict Cumberbatch-starring sequel to Marvel Studios’ 2016 installment, has been prescribed a major new shoot.
In what sources describe as being “significant,” the new shoot, taking place in Los Angeles, is both “additional photography” and “reshoots.”
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How significant? Insiders say that Cumberbatch and company are undertaking six weeks of shooting, if not more, working six days a week. Sam Raimi remains as helmer, and Loki head writer Michael Waldron is still on board writing the new material. It is unclear what actors in addition to Cumberbatch are involved. The crew involved is familiar with the Marvel method and worked on recent pickups for the upcoming Spider-Man: No Way Home and additional shooting for next year’s Oscar Isaac series, Moon Knight.

‘Doctor Strange’ Sequel Undergoing “Significant” Reshoots
Doctor Strange has fought mystical beings in dark dimensions and faced the might of Thanos but now faces his most potent threat: reshoots.
Doctor Strange in the Multiverse of Madness, the Benedict Cumberbatch-starring sequel to Marvel Studios’ 2016 installment, has been prescribed a major new shoot.
In what sources describe as being “significant,” the new shoot, taking place in Los Angeles, is both “additional photography” and “reshoots.”

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How significant? Insiders say that Cumberbatch and company are undertaking six weeks of shooting, if not more, working six days a week. Sam Raimi remains as helmer, and Loki head writer Michael Waldron is still on board writing the new material. It is unclear what actors in addition to Cumberbatch are involved. The crew involved is familiar with the Marvel method and worked on recent pickups for the upcoming Spider-Man: No Way Home and additional shooting for next year’s Oscar Isaac series, Moon Knight.

‘Doctor Strange’ Sequel Undergoing “Significant” Reshoots
Doctor Strange has fought mystical beings in dark dimensions and faced the might of Thanos but now faces his most potent threat: reshoots.
Doctor Strange in the Multiverse of Madness, the Benedict Cumberbatch-starring sequel to Marvel Studios’ 2016 installment, has been prescribed a major new shoot.
In what sources describe as being “significant,” the new shoot, taking place in Los Angeles, is both “additional photography” and “reshoots.”

https://groups.google.com/g/hd-movies-free-online2/c/q_0p9ilt76M
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How significant? Insiders say that Cumberbatch and company are undertaking six weeks of shooting, if not more, working six days a week. Sam Raimi remains as helmer, and Loki head writer Michael Waldron is still on board writing the new material. It is unclear what actors in addition to Cumberbatch are involved. The crew involved is familiar with the Marvel method and worked on recent pickups for the upcoming Spider-Man: No Way Home and additional shooting for next year’s Oscar Isaac series, Moon Knight.


Hollywood Has Forgotten What a Good Action Movie Looks Like
If you assembled a focus group of frequent moviegoers and asked them to describe the elements of a good action film, they’d probably come up with something along the lines of Red Notice. The star-laden blockbuster, which is dropping on Netflix this week, features three A-list names, all in familiar roles: Dwayne Johnson as a tough FBI agent, Ryan Reynolds as a motormouthed art thief, and Gal Gadot as a mysterious criminal who forces the two men to team up against her. The work is complete with globe-trotting set pieces, self-aware jokes delivered straight to the camera, and constantly shifting loyalties as each character tries to stay ahead of the others on the quest for some glittery MacGuffin.
https://groups.google.com/g/hd-movies-free-online5/c/KGJ2T4oZb3U
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Everything about Red Notice seems almost algorithmically determined, from the cast to the familiar tropes, so the association with Netflix, a company that prides itself on blending art and machine learning (at least in its recommendations), comes as no surprise. But this film was sought after by practically every major studio before a script even existed, based on its plot description and Johnson’s involvement alone. Netflix only later acquired the work, which was written and directed by Rawson Marshall Thurber. I went into my screening wondering what about that original pitch was scintillating enough to spark such a frenzied bidding war — did it offer some fresh take on the action film, for example? What I saw disappointed me: Red Notice is a glossy but empty product that indicates the extent of the genre’s current crisis.

Read: Dwayne Johnson misunderstands his own star appeal

That might seem like a dramatic pronouncement. Other types of movies, such as adult dramas and comedies, have started to vanish from big screens, but every week box offices are seemingly choked with blockbuster brawls. The genre has become essentially every studio’s economic powerhouse, resulting in uninspired predictability and heroes who are never actually in danger; the trashy artistry of 1980s and ’90s action classics is nothing more than a distant memory. Now many of the movies are tied to the same existing franchises (like James Bond or The Fast and the Furious), comic books, or video games. Johnson is one of the few stars who actually gets expensive, original action films made, but of late he’s tended toward disappointingly safe material. Red Notice is his most generic effort yet.


Hollywood Has Forgotten What a Good Action Movie Looks Like
If you assembled a focus group of frequent moviegoers and asked them to describe the elements of a good action film, they’d probably come up with something along the lines of Red Notice. The star-laden blockbuster, which is dropping on Netflix this week, features three A-list names, all in familiar roles: Dwayne Johnson as a tough FBI agent, Ryan Reynolds as a motormouthed art thief, and Gal Gadot as a mysterious criminal who forces the two men to team up against her. The work is complete with globe-trotting set pieces, self-aware jokes delivered straight to the camera, and constantly shifting loyalties as each character tries to stay ahead of the others on the quest for some glittery MacGuffin.
https://groups.google.com/g/hd-movies-for-free-/c/lQfdaQGtl0s
https://groups.google.com/g/hd-movies-for-free-/c/xpRyIuRqzgg
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Everything about Red Notice seems almost algorithmically determined, from the cast to the familiar tropes, so the association with Netflix, a company that prides itself on blending art and machine learning (at least in its recommendations), comes as no surprise. But this film was sought after by practically every major studio before a script even existed, based on its plot description and Johnson’s involvement alone. Netflix only later acquired the work, which was written and directed by Rawson Marshall Thurber. I went into my screening wondering what about that original pitch was scintillating enough to spark such a frenzied bidding war — did it offer some fresh take on the action film, for example? What I saw disappointed me: Red Notice is a glossy but empty product that indicates the extent of the genre’s current crisis.

Read: Dwayne Johnson misunderstands his own star appeal

That might seem like a dramatic pronouncement. Other types of movies, such as adult dramas and comedies, have started to vanish from big screens, but every week box offices are seemingly choked with blockbuster brawls. The genre has become essentially every studio’s economic powerhouse, resulting in uninspired predictability and heroes who are never actually in danger; the trashy artistry of 1980s and ’90s action classics is nothing more than a distant memory. Now many of the movies are tied to the same existing franchises (like James Bond or The Fast and the Furious), comic books, or video games. Johnson is one of the few stars who actually gets expensive, original action films made, but of late he’s tended toward disappointingly safe material. Red Notice is his most generic effort yet.

Hollywood Has Forgotten What a Good Action Movie Looks Like
If you assembled a focus group of frequent moviegoers and asked them to describe the elements of a good action film, they’d probably come up with something along the lines of Red Notice. The star-laden blockbuster, which is dropping on Netflix this week, features three A-list names, all in familiar roles: Dwayne Johnson as a tough FBI agent, Ryan Reynolds as a motormouthed art thief, and Gal Gadot as a mysterious criminal who forces the two men to team up against her. The work is complete with globe-trotting set pieces, self-aware jokes delivered straight to the camera, and constantly shifting loyalties as each character tries to stay ahead of the others on the quest for some glittery MacGuffin.
https://groups.google.com/g/hd-movies-for-free-7/c/htwWFy6dHuQ
https://groups.google.com/g/hd-movies-for-free-7/c/g5qwIF3UGlo
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Everything about Red Notice seems almost algorithmically determined, from the cast to the familiar tropes, so the association with Netflix, a company that prides itself on blending art and machine learning (at least in its recommendations), comes as no surprise. But this film was sought after by practically every major studio before a script even existed, based on its plot description and Johnson’s involvement alone. Netflix only later acquired the work, which was written and directed by Rawson Marshall Thurber. I went into my screening wondering what about that original pitch was scintillating enough to spark such a frenzied bidding war — did it offer some fresh take on the action film, for example? What I saw disappointed me: Red Notice is a glossy but empty product that indicates the extent of the genre’s current crisis.

Read: Dwayne Johnson misunderstands his own star appeal

That might seem like a dramatic pronouncement. Other types of movies, such as adult dramas and comedies, have started to vanish from big screens, but every week box offices are seemingly choked with blockbuster brawls. The genre has become essentially every studio’s economic powerhouse, resulting in uninspired predictability and heroes who are never actually in danger; the trashy artistry of 1980s and ’90s action classics is nothing more than a distant memory. Now many of the movies are tied to the same existing franchises (like James Bond or The Fast and the Furious), comic books, or video games. Johnson is one of the few stars who actually gets expensive, original action films made, but of late he’s tended toward disappointingly safe material. Red Notice is his most generic effort yet.

Hollywood Has Forgotten What a Good Action Movie Looks Like
If you assembled a focus group of frequent moviegoers and asked them to describe the elements of a good action film, they’d probably come up with something along the lines of Red Notice. The star-laden blockbuster, which is dropping on Netflix this week, features three A-list names, all in familiar roles: Dwayne Johnson as a tough FBI agent, Ryan Reynolds as a motormouthed art thief, and Gal Gadot as a mysterious criminal who forces the two men to team up against her. The work is complete with globe-trotting set pieces, self-aware jokes delivered straight to the camera, and constantly shifting loyalties as each character tries to stay ahead of the others on the quest for some glittery MacGuffin.
https://groups.google.com/g/watching-movies-hd-2/c/i97CEer0nyc
https://groups.google.com/g/watching-movies-hd-2/c/9NVMFyctJgA
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Everything about Red Notice seems almost algorithmically determined, from the cast to the familiar tropes, so the association with Netflix, a company that prides itself on blending art and machine learning (at least in its recommendations), comes as no surprise. But this film was sought after by practically every major studio before a script even existed, based on its plot description and Johnson’s involvement alone. Netflix only later acquired the work, which was written and directed by Rawson Marshall Thurber. I went into my screening wondering what about that original pitch was scintillating enough to spark such a frenzied bidding war — did it offer some fresh take on the action film, for example? What I saw disappointed me: Red Notice is a glossy but empty product that indicates the extent of the genre’s current crisis.

Read: Dwayne Johnson misunderstands his own star appeal

That might seem like a dramatic pronouncement. Other types of movies, such as adult dramas and comedies, have started to vanish from big screens, but every week box offices are seemingly choked with blockbuster brawls. The genre has become essentially every studio’s economic powerhouse, resulting in uninspired predictability and heroes who are never actually in danger; the trashy artistry of 1980s and ’90s action classics is nothing more than a distant memory. Now many of the movies are tied to the same existing franchises (like James Bond or The Fast and the Furious), comic books, or video games. Johnson is one of the few stars who actually gets expensive, original action films made, but of late he’s tended toward disappointingly safe material. Red Notice is his most generic effort yet.

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