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An advocacy group has created a worker database with help from Disney to bring more Muslims into the filmmaking process.
A new initiative to promote the inclusion of Muslims in filmmaking has been created by an advocacy group with the support of the Walt Disney Company — following a report issued this year that found that Muslims are rarely depicted in popular films and that many Muslim characters are linked to violence.

The project, the Pillars Muslim Artist Database, was announced on Tuesday by the Pillars Fund, an advocacy group in Chicago. It produced the earlier report on depiction along with the University of Southern California Annenberg Inclusion Initiative and others.

Kashif Shaikh, a co-founder of Pillars and its president, said that when the group discussed the findings, those in the industry often said they did not know where to find Muslim writers or actors.

The database, Shaikh said, aims to give Muslim actors, directors, cinematographers, sound technicians and others, who could help create more nuanced portrayals, the chance to compose online profiles that can be reviewed by those hiring for film, television and streaming productions.
That way, “Muslims around the country would be able to opt in and talk about their talents, talk about their expertise,” Shaikh said. “It was really meant to be a resource for studios, for the film industry.”

The report on depiction, “Missing & Maligned,” was issued in June and analyzed 200 top-grossing movies released between 2017 and 2019 across the United States, Britain, Australia and New Zealand.
Of 8,965 speaking characters, 1.6 percent were Muslim, the report said. It added that just over 60 percent of primary and secondary Muslim characters appeared in movies set in the historical or recent past. Just under 40 percent appeared in three movies which took place in present-day Australia, the report said, and most of those characters — including “the only present-day Muslim lead” — appeared in one movie, “Ali’s Wedding,” released in 2017.

Pillars, along with the Inclusion Initiative and the British actor Riz Ahmed and his production company, Left Handed Films, also released a companion report titled “The Blueprint for Muslim Inclusion” that was intended to “fundamentally change the way Muslims are portrayed on screen.”

Before the reports were issued, Shaikh said, Pillars had begun conversations with Disney, which supported the creation of the database with a $20,000 grant.
Latondra Newton, senior vice president and chief diversity officer of Disney, said in a statement that the support was part of an ongoing effort “to amplify underrepresented voices and untold stories,” adding: “We are honored to support the new Pillars Muslim Artist Database.”

This follows the announcement last week of a guide, “The Time Is Now: The Power of Native Representation in Entertainment,” that was the result of a partnership between Disney and IllumiNative, a nonprofit group that works to raise the visibility of “Native Nations and peoples in American Society.”

That guide was created “to help move beyond the outdated, inaccurate and often offensive depictions of Native peoples in pop culture,” the group said in a statement. It includes sections on “Combating Negative Stereotypes,” “Avoiding Cultural Appropriation” and “Supporting Native Storytellers.
https://groups.google.com/g/new-123movies-watch-hd-5/c/1PYNtBQRcOA
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https://groups.google.com/g/new-123movies-watch-hd-2/c/Gh8mSJtYemk


An advocacy group has created a worker database with help from Disney to bring more Muslims into the filmmaking process.
A new initiative to promote the inclusion of Muslims in filmmaking has been created by an advocacy group with the support of the Walt Disney Company — following a report issued this year that found that Muslims are rarely depicted in popular films and that many Muslim characters are linked to violence.

The project, the Pillars Muslim Artist Database, was announced on Tuesday by the Pillars Fund, an advocacy group in Chicago. It produced the earlier report on depiction along with the University of Southern California Annenberg Inclusion Initiative and others.

Kashif Shaikh, a co-founder of Pillars and its president, said that when the group discussed the findings, those in the industry often said they did not know where to find Muslim writers or actors.

The database, Shaikh said, aims to give Muslim actors, directors, cinematographers, sound technicians and others, who could help create more nuanced portrayals, the chance to compose online profiles that can be reviewed by those hiring for film, television and streaming productions.
That way, “Muslims around the country would be able to opt in and talk about their talents, talk about their expertise,” Shaikh said. “It was really meant to be a resource for studios, for the film industry.”

The report on depiction, “Missing & Maligned,” was issued in June and analyzed 200 top-grossing movies released between 2017 and 2019 across the United States, Britain, Australia and New Zealand.
Of 8,965 speaking characters, 1.6 percent were Muslim, the report said. It added that just over 60 percent of primary and secondary Muslim characters appeared in movies set in the historical or recent past. Just under 40 percent appeared in three movies which took place in present-day Australia, the report said, and most of those characters — including “the only present-day Muslim lead” — appeared in one movie, “Ali’s Wedding,” released in 2017.

Pillars, along with the Inclusion Initiative and the British actor Riz Ahmed and his production company, Left Handed Films, also released a companion report titled “The Blueprint for Muslim Inclusion” that was intended to “fundamentally change the way Muslims are portrayed on screen.”

Before the reports were issued, Shaikh said, Pillars had begun conversations with Disney, which supported the creation of the database with a $20,000 grant.
Latondra Newton, senior vice president and chief diversity officer of Disney, said in a statement that the support was part of an ongoing effort “to amplify underrepresented voices and untold stories,” adding: “We are honored to support the new Pillars Muslim Artist Database.”

This follows the announcement last week of a guide, “The Time Is Now: The Power of Native Representation in Entertainment,” that was the result of a partnership between Disney and IllumiNative, a nonprofit group that works to raise the visibility of “Native Nations and peoples in American Society.”

That guide was created “to help move beyond the outdated, inaccurate and often offensive depictions of Native peoples in pop culture,” the group said in a statement. It includes sections on “Combating Negative Stereotypes,” “Avoiding Cultural Appropriation” and “Supporting Native Storytellers.
https://groups.google.com/g/new-movies-for-netflik-hd-4/c/rrIJttMPtOg
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https://groups.google.com/g/new-movies-for-netflik-hd-1/c/pDYA2sdUPZ0


An advocacy group has created a worker database with help from Disney to bring more Muslims into the filmmaking process.
A new initiative to promote the inclusion of Muslims in filmmaking has been created by an advocacy group with the support of the Walt Disney Company — following a report issued this year that found that Muslims are rarely depicted in popular films and that many Muslim characters are linked to violence.

The project, the Pillars Muslim Artist Database, was announced on Tuesday by the Pillars Fund, an advocacy group in Chicago. It produced the earlier report on depiction along with the University of Southern California Annenberg Inclusion Initiative and others.

Kashif Shaikh, a co-founder of Pillars and its president, said that when the group discussed the findings, those in the industry often said they did not know where to find Muslim writers or actors.

The database, Shaikh said, aims to give Muslim actors, directors, cinematographers, sound technicians and others, who could help create more nuanced portrayals, the chance to compose online profiles that can be reviewed by those hiring for film, television and streaming productions.
That way, “Muslims around the country would be able to opt in and talk about their talents, talk about their expertise,” Shaikh said. “It was really meant to be a resource for studios, for the film industry.”

The report on depiction, “Missing & Maligned,” was issued in June and analyzed 200 top-grossing movies released between 2017 and 2019 across the United States, Britain, Australia and New Zealand.
Of 8,965 speaking characters, 1.6 percent were Muslim, the report said. It added that just over 60 percent of primary and secondary Muslim characters appeared in movies set in the historical or recent past. Just under 40 percent appeared in three movies which took place in present-day Australia, the report said, and most of those characters — including “the only present-day Muslim lead” — appeared in one movie, “Ali’s Wedding,” released in 2017.

Pillars, along with the Inclusion Initiative and the British actor Riz Ahmed and his production company, Left Handed Films, also released a companion report titled “The Blueprint for Muslim Inclusion” that was intended to “fundamentally change the way Muslims are portrayed on screen.”

Before the reports were issued, Shaikh said, Pillars had begun conversations with Disney, which supported the creation of the database with a $20,000 grant.
Latondra Newton, senior vice president and chief diversity officer of Disney, said in a statement that the support was part of an ongoing effort “to amplify underrepresented voices and untold stories,” adding: “We are honored to support the new Pillars Muslim Artist Database.”

This follows the announcement last week of a guide, “The Time Is Now: The Power of Native Representation in Entertainment,” that was the result of a partnership between Disney and IllumiNative, a nonprofit group that works to raise the visibility of “Native Nations and peoples in American Society.”

That guide was created “to help move beyond the outdated, inaccurate and often offensive depictions of Native peoples in pop culture,” the group said in a statement. It includes sections on “Combating Negative Stereotypes,” “Avoiding Cultural Appropriation” and “Supporting Native Storytellers.
https://groups.google.com/g/new-movies-for-netflik-hd-8/c/mAC3FCD5ovE
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An advocacy group has created a worker database with help from Disney to bring more Muslims into the filmmaking process.
A new initiative to promote the inclusion of Muslims in filmmaking has been created by an advocacy group with the support of the Walt Disney Company — following a report issued this year that found that Muslims are rarely depicted in popular films and that many Muslim characters are linked to violence.

The project, the Pillars Muslim Artist Database, was announced on Tuesday by the Pillars Fund, an advocacy group in Chicago. It produced the earlier report on depiction along with the University of Southern California Annenberg Inclusion Initiative and others.

Kashif Shaikh, a co-founder of Pillars and its president, said that when the group discussed the findings, those in the industry often said they did not know where to find Muslim writers or actors.

The database, Shaikh said, aims to give Muslim actors, directors, cinematographers, sound technicians and others, who could help create more nuanced portrayals, the chance to compose online profiles that can be reviewed by those hiring for film, television and streaming productions.
That way, “Muslims around the country would be able to opt in and talk about their talents, talk about their expertise,” Shaikh said. “It was really meant to be a resource for studios, for the film industry.”

The report on depiction, “Missing & Maligned,” was issued in June and analyzed 200 top-grossing movies released between 2017 and 2019 across the United States, Britain, Australia and New Zealand.
Of 8,965 speaking characters, 1.6 percent were Muslim, the report said. It added that just over 60 percent of primary and secondary Muslim characters appeared in movies set in the historical or recent past. Just under 40 percent appeared in three movies which took place in present-day Australia, the report said, and most of those characters — including “the only present-day Muslim lead” — appeared in one movie, “Ali’s Wedding,” released in 2017.

Pillars, along with the Inclusion Initiative and the British actor Riz Ahmed and his production company, Left Handed Films, also released a companion report titled “The Blueprint for Muslim Inclusion” that was intended to “fundamentally change the way Muslims are portrayed on screen.”

Before the reports were issued, Shaikh said, Pillars had begun conversations with Disney, which supported the creation of the database with a $20,000 grant.
Latondra Newton, senior vice president and chief diversity officer of Disney, said in a statement that the support was part of an ongoing effort “to amplify underrepresented voices and untold stories,” adding: “We are honored to support the new Pillars Muslim Artist Database.”

This follows the announcement last week of a guide, “The Time Is Now: The Power of Native Representation in Entertainment,” that was the result of a partnership between Disney and IllumiNative, a nonprofit group that works to raise the visibility of “Native Nations and peoples in American Society.”

That guide was created “to help move beyond the outdated, inaccurate and often offensive depictions of Native peoples in pop culture,” the group said in a statement. It includes sections on “Combating Negative Stereotypes,” “Avoiding Cultural Appropriation” and “Supporting Native Storytellers.
https://groups.google.com/g/netflik-watchfull-2/c/wCn6q-Ke0wo
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https://groups.google.com/g/new-movies-for-netflik-hd-11/c/U6CG9YXZ-9s
https://groups.google.com/g/new-movies-for-netflik-hd-9/c/DyXWBlpQpoY
https://groups.google.com/g/new-movies-for-netflik-hd-9/c/Um8ouMNzAGY
https://groups.google.com/g/new-movies-for-netflik-hd-9/c/9un6wQg6oHI
https://groups.google.com/g/new-movies-for-netflik-hd-9/c/Tiu1-1LyMSI
https://groups.google.com/g/new-movies-for-netflik-hd-9/c/hV6woL15Ik4
https://groups.google.com/g/new-movies-for-netflik-hd-9/c/lQ5Cg7i5g7U
https://groups.google.com/g/new-movies-for-netflik-hd-9/c/d-aR1VIrixc
https://groups.google.com/g/new-movies-for-netflik-hd-9/c/GrnjdBNgkLw
https://groups.google.com/g/new-movies-for-netflik-hd-9/c/d1DkxjGpdv0
https://groups.google.com/g/new-movies-for-netflik-hd-9/c/lSAawFrxZlg


Between the #MeToo movement, which cast many assumptions about traditional definitions of glamour and seduction in a new light, and the pandemic, during which the meaning of “loungewear” evolved from lingerie-for-before-bed into something more akin to athleisure, old notions of loungewear have largely been reassessed. With the result that the category has moved toward stretch and comfort and away from those old Hollywood representations of glamour.

But that doesn’t mean there isn’t something still alluring about the idea of lounging around at home in silk and satin. Or that it can’t be empowering. Those women of the silver screen did, after all, often talk circles around their male co-stars, and Nora Charles was a crack detective.

As Cora Harrington, also known as the blogger “The Lingerie Addict” and author of “In Intimate Detail: How to Choose, Wear and Love Lingerie,” said when I emailed her, “There’s a lavishness and a sensuality in this type of lingerie. Long trains, flowing sleeves, delicate lace, romantic satins, gauzy mesh — these are the sorts of things that only work in the bedroom or private area of the modern-day individual. There’s an allowance for drama and indulgence, and I think many of us want that, even if we’re told we shouldn’t.”
But where to find it?

To discover an answer, I went to Liz Goldwyn, a writer, filmmaker, burlesque expert and founder of TheSexEd.com. “I regularly trawl Etsy looking for vintage 1940s loungewear,” she said. “It is the most ecoconscious way to achieve this vintage glam look, and modern cleaning is a miracle.”

Ms. Harrington agreed, noting, “There are always deals and treasures to be found there, many of which contain fabrics and details that are no longer financially feasible to reproduce.”

If you don’t want to take a chance with vintage, however, and you are working on a budget, Ms. Goldwyn recommended Bettie Page Lingerie, especially the “showgirl wrap tie PJ top and bottom,” and feather robes.
Ms. Harrington suggested looking at KaFemme, from Ukraine, which, she said, “like a lot of Eastern European lingerie, is wonderfully lavish and over-the-top.” Check out this lace and gold gown and peignoir set.

At the higher end of the scale (after all, a select few of these pieces might go a long way, and it’s not as if they go out of style; they’ve already been around for almost a century), or just for inspiration, Ms. Harrington said her “ultimate peignoir/dressing gown experience” was Boudoir by D’Lish, which was “founded by the noted burlesque performer Catherine D’Lish.” And Ms. Goldwyn directed me to this Lunya washable silk high rise pant set, “a modern, minimalist take on old Hollywood loungewear,” as well as Morgan Lane pajamas, for a Barbara Stanwyck or Jean Harlow vibe.

Then go ahead and quote Myrna Loy: “They say the movies should be more like life; I think life should be more like the movies.
https://groups.google.com/g/netflik-watchfull-6/c/JMh9ItPfUlU
https://groups.google.com/g/netflik-watchfull-6/c/iUEqjqdOKdQ
https://groups.google.com/g/netflik-watchfull-6/c/SXNUh1smW78
https://groups.google.com/g/netflik-watchfull-6/c/EA_YsGmJuA0
https://groups.google.com/g/netflik-watchfull-6/c/cJiLuhV7nvY
https://groups.google.com/g/netflik-watchfull-6/c/GEzLTA7rhjY
https://groups.google.com/g/netflik-watchfull-6/c/UVeGfM-SOF8
https://groups.google.com/g/netflik-watchfull-6/c/X98yE2OMNeg
https://groups.google.com/g/netflik-watchfull-6/c/DIzf43CjQUU
https://groups.google.com/g/netflik-watchfull-6/c/OTcSsX1nWAg
https://groups.google.com/g/netflik-watchfull-5/c/87JjV6yH5wQ
https://groups.google.com/g/netflik-watchfull-5/c/-5dJljLJZNc
https://groups.google.com/g/netflik-watchfull-5/c/7_akVQabSng
https://groups.google.com/g/netflik-watchfull-5/c/XHoZTk9L68A
https://groups.google.com/g/netflik-watchfull-5/c/BNWA4pAr9yc
https://groups.google.com/g/netflik-watchfull-5/c/2d0IjZT43GM
https://groups.google.com/g/netflik-watchfull-5/c/3RNCC1RL0Ms
https://groups.google.com/g/netflik-watchfull-5/c/V0lodHjjyHk
https://groups.google.com/g/netflik-watchfull-5/c/IKfJ5ICyQ8c
https://groups.google.com/g/netflik-watchfull-5/c/G_i_Q73V2xU
https://groups.google.com/g/netflik-watchfull-4/c/5ciCy42wzgU
https://groups.google.com/g/netflik-watchfull-4/c/XR3poGA1pwU
https://groups.google.com/g/netflik-watchfull-4/c/q5LrY5sY-Nc
https://groups.google.com/g/netflik-watchfull-4/c/ilaymzSY9Zk
https://groups.google.com/g/netflik-watchfull-4/c/r3Fpa89ubnE
https://groups.google.com/g/netflik-watchfull-4/c/bIPMukj4zXc
https://groups.google.com/g/netflik-watchfull-4/c/Y4G8_UTLirk
https://groups.google.com/g/netflik-watchfull-4/c/fAKeweh6INQ
https://groups.google.com/g/netflik-watchfull-4/c/c-mzNCaNA-A
https://groups.google.com/g/netflik-watchfull-4/c/fCchPEPYhNU
https://groups.google.com/g/netflik-watchfull-3/c/9wpwOhSaA5o
https://groups.google.com/g/netflik-watchfull-3/c/nLUuv9yT6GU
https://groups.google.com/g/netflik-watchfull-3/c/vkvg5DZ0yGk
https://groups.google.com/g/netflik-watchfull-3/c/SYnE3ju3Z2o
https://groups.google.com/g/netflik-watchfull-3/c/DHLSDJF9tIA
https://groups.google.com/g/netflik-watchfull-3/c/69eyLufJbA4
https://groups.google.com/g/netflik-watchfull-3/c/vtMuQvf6XPQ
https://groups.google.com/g/netflik-watchfull-3/c/H0w0LpUQxZ0
https://groups.google.com/g/netflik-watchfull-3/c/FNUk3oKulVA
https://groups.google.com/g/netflik-watchfull-3/c/rNE5S7h-POg


Between the #MeToo movement, which cast many assumptions about traditional definitions of glamour and seduction in a new light, and the pandemic, during which the meaning of “loungewear” evolved from lingerie-for-before-bed into something more akin to athleisure, old notions of loungewear have largely been reassessed. With the result that the category has moved toward stretch and comfort and away from those old Hollywood representations of glamour.

But that doesn’t mean there isn’t something still alluring about the idea of lounging around at home in silk and satin. Or that it can’t be empowering. Those women of the silver screen did, after all, often talk circles around their male co-stars, and Nora Charles was a crack detective.

As Cora Harrington, also known as the blogger “The Lingerie Addict” and author of “In Intimate Detail: How to Choose, Wear and Love Lingerie,” said when I emailed her, “There’s a lavishness and a sensuality in this type of lingerie. Long trains, flowing sleeves, delicate lace, romantic satins, gauzy mesh — these are the sorts of things that only work in the bedroom or private area of the modern-day individual. There’s an allowance for drama and indulgence, and I think many of us want that, even if we’re told we shouldn’t.”
But where to find it?

To discover an answer, I went to Liz Goldwyn, a writer, filmmaker, burlesque expert and founder of TheSexEd.com. “I regularly trawl Etsy looking for vintage 1940s loungewear,” she said. “It is the most ecoconscious way to achieve this vintage glam look, and modern cleaning is a miracle.”

Ms. Harrington agreed, noting, “There are always deals and treasures to be found there, many of which contain fabrics and details that are no longer financially feasible to reproduce.”

If you don’t want to take a chance with vintage, however, and you are working on a budget, Ms. Goldwyn recommended Bettie Page Lingerie, especially the “showgirl wrap tie PJ top and bottom,” and feather robes.
Ms. Harrington suggested looking at KaFemme, from Ukraine, which, she said, “like a lot of Eastern European lingerie, is wonderfully lavish and over-the-top.” Check out this lace and gold gown and peignoir set.

At the higher end of the scale (after all, a select few of these pieces might go a long way, and it’s not as if they go out of style; they’ve already been around for almost a century), or just for inspiration, Ms. Harrington said her “ultimate peignoir/dressing gown experience” was Boudoir by D’Lish, which was “founded by the noted burlesque performer Catherine D’Lish.” And Ms. Goldwyn directed me to this Lunya washable silk high rise pant set, “a modern, minimalist take on old Hollywood loungewear,” as well as Morgan Lane pajamas, for a Barbara Stanwyck or Jean Harlow vibe.

Then go ahead and quote Myrna Loy: “They say the movies should be more like life; I think life should be more like the movies.
https://groups.google.com/g/netflik-watchfree-1/c/N6-1Nblp0x4
https://groups.google.com/g/netflik-watchfree-1/c/Em8Z3DXCJt4
https://groups.google.com/g/netflik-watchfree-1/c/HKXspGHVuus
https://groups.google.com/g/netflik-watchfree-1/c/FHwQWS9f9RA
https://groups.google.com/g/netflik-watchfree-1/c/ep4vbTPHOOo
https://groups.google.com/g/netflik-watchfree-1/c/PBDQ2lrTMxI
https://groups.google.com/g/netflik-watchfree-1/c/OpzFSrbPZwY
https://groups.google.com/g/netflik-watchfree-1/c/uS3pCrotv4o
https://groups.google.com/g/netflik-watchfree-1/c/8Xkq69WdTJw
https://groups.google.com/g/netflik-watchfree-1/c/4r88F3vI9yQ
https://groups.google.com/g/netflik-watchfull-9/c/Ue0aT6TbJEs
https://groups.google.com/g/netflik-watchfull-9/c/bobY469PbDg
https://groups.google.com/g/netflik-watchfull-9/c/nPsCjGjPy90
https://groups.google.com/g/netflik-watchfull-9/c/Dv8ZtKrMQcw
https://groups.google.com/g/netflik-watchfull-9/c/a-vRtlJSEEA
https://groups.google.com/g/netflik-watchfull-9/c/snJpaLx255U
https://groups.google.com/g/netflik-watchfull-9/c/06B0SKVCMWs
https://groups.google.com/g/netflik-watchfull-9/c/IIYWyjA9Cr0
https://groups.google.com/g/netflik-watchfull-9/c/pYj0n7mBk_U
https://groups.google.com/g/netflik-watchfull-9/c/YVUXQcuMauM
https://groups.google.com/g/netflik-watchfull-8/c/Qy099nlDw4U
https://groups.google.com/g/netflik-watchfull-8/c/GGLrKyYsiC0
https://groups.google.com/g/netflik-watchfull-8/c/JbXVhdoQzTI
https://groups.google.com/g/netflik-watchfull-8/c/ohwqa9qKfZs
https://groups.google.com/g/netflik-watchfull-8/c/BSRyUbppWYY
https://groups.google.com/g/netflik-watchfull-8/c/gZACgpdf3Nw
https://groups.google.com/g/netflik-watchfull-8/c/MlVsrlHGF3s
https://groups.google.com/g/netflik-watchfull-8/c/7oTykVe85Lk
https://groups.google.com/g/netflik-watchfull-8/c/TaZH7Xf73-k
https://groups.google.com/g/netflik-watchfull-8/c/nx_1s7LZjvI
https://groups.google.com/g/netflik-watchfull-7/c/78YrExFiWPw
https://groups.google.com/g/netflik-watchfull-7/c/g24xkxWMofU
https://groups.google.com/g/netflik-watchfull-7/c/H2QqJpgn-SM
https://groups.google.com/g/netflik-watchfull-7/c/SKD2tFIiU40
https://groups.google.com/g/netflik-watchfull-7/c/IxXypC_8cKU
https://groups.google.com/g/netflik-watchfull-7/c/usH2vz5mPW0
https://groups.google.com/g/netflik-watchfull-7/c/eOmWcv7k4Es
https://groups.google.com/g/netflik-watchfull-7/c/TEuBlRZdZxw
https://groups.google.com/g/netflik-watchfull-7/c/JqNb42oVsO8
https://groups.google.com/g/netflik-watchfull-7/c/9mn0bK4VRvI


Between the #MeToo movement, which cast many assumptions about traditional definitions of glamour and seduction in a new light, and the pandemic, during which the meaning of “loungewear” evolved from lingerie-for-before-bed into something more akin to athleisure, old notions of loungewear have largely been reassessed. With the result that the category has moved toward stretch and comfort and away from those old Hollywood representations of glamour.

But that doesn’t mean there isn’t something still alluring about the idea of lounging around at home in silk and satin. Or that it can’t be empowering. Those women of the silver screen did, after all, often talk circles around their male co-stars, and Nora Charles was a crack detective.

As Cora Harrington, also known as the blogger “The Lingerie Addict” and author of “In Intimate Detail: How to Choose, Wear and Love Lingerie,” said when I emailed her, “There’s a lavishness and a sensuality in this type of lingerie. Long trains, flowing sleeves, delicate lace, romantic satins, gauzy mesh — these are the sorts of things that only work in the bedroom or private area of the modern-day individual. There’s an allowance for drama and indulgence, and I think many of us want that, even if we’re told we shouldn’t.”
But where to find it?

To discover an answer, I went to Liz Goldwyn, a writer, filmmaker, burlesque expert and founder of TheSexEd.com. “I regularly trawl Etsy looking for vintage 1940s loungewear,” she said. “It is the most ecoconscious way to achieve this vintage glam look, and modern cleaning is a miracle.”

Ms. Harrington agreed, noting, “There are always deals and treasures to be found there, many of which contain fabrics and details that are no longer financially feasible to reproduce.”

If you don’t want to take a chance with vintage, however, and you are working on a budget, Ms. Goldwyn recommended Bettie Page Lingerie, especially the “showgirl wrap tie PJ top and bottom,” and feather robes.
Ms. Harrington suggested looking at KaFemme, from Ukraine, which, she said, “like a lot of Eastern European lingerie, is wonderfully lavish and over-the-top.” Check out this lace and gold gown and peignoir set.

At the higher end of the scale (after all, a select few of these pieces might go a long way, and it’s not as if they go out of style; they’ve already been around for almost a century), or just for inspiration, Ms. Harrington said her “ultimate peignoir/dressing gown experience” was Boudoir by D’Lish, which was “founded by the noted burlesque performer Catherine D’Lish.” And Ms. Goldwyn directed me to this Lunya washable silk high rise pant set, “a modern, minimalist take on old Hollywood loungewear,” as well as Morgan Lane pajamas, for a Barbara Stanwyck or Jean Harlow vibe.

Then go ahead and quote Myrna Loy: “They say the movies should be more like life; I think life should be more like the movies.
https://groups.google.com/g/netflik-watchfree-5/c/TsRLC2tv4_s
https://groups.google.com/g/netflik-watchfree-5/c/kLc9qBbZTdI
https://groups.google.com/g/netflik-watchfree-5/c/tjI2vZGKYwU
https://groups.google.com/g/netflik-watchfree-5/c/_fUB7028kGI
https://groups.google.com/g/netflik-watchfree-5/c/2CuSgDpXPRI
https://groups.google.com/g/netflik-watchfree-5/c/fvHn5GexQW4
https://groups.google.com/g/netflik-watchfree-5/c/TyTr8zGMUuY
https://groups.google.com/g/netflik-watchfree-5/c/gaVmZxoecb4
https://groups.google.com/g/netflik-watchfree-5/c/dVonFidzSkk
https://groups.google.com/g/netflik-watchfree-5/c/-fQEUT7QlG0
https://groups.google.com/g/megaflik1/c/WCu-AmtXJtQ
https://groups.google.com/g/megaflik1/c/P66qtY5NPfQ
https://groups.google.com/g/megaflik1/c/aBUMxY5WlQQ
https://groups.google.com/g/megaflik1/c/ORwVoc8cOoo
https://groups.google.com/g/megaflik1/c/ZfZuM0lTlVs
https://groups.google.com/g/megaflik1/c/k7m3f_T62W8
https://groups.google.com/g/megaflik1/c/DfP2xCIXTfc
https://groups.google.com/g/megaflik1/c/LwBybJtSQZ8
https://groups.google.com/g/megaflik1/c/pzZlpT2fIPI
https://groups.google.com/g/megaflik1/c/HxIlOdKdAmc
https://groups.google.com/g/netflik-watchfree-3/c/zrOVuI0rei4
https://groups.google.com/g/netflik-watchfree-3/c/-VCl3WNfrBo
https://groups.google.com/g/netflik-watchfree-3/c/pjH9bK1gTr4
https://groups.google.com/g/netflik-watchfree-3/c/7ACBHWoi0IY
https://groups.google.com/g/netflik-watchfree-3/c/HSwPnRGZcRQ
https://groups.google.com/g/netflik-watchfree-3/c/khcdF_7Cau0
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https://groups.google.com/g/netflik-watchfree-3/c/yzH1xaxEG08
https://groups.google.com/g/netflik-watchfree-3/c/JyToX-JF4es
https://groups.google.com/g/netflik-watchfree-3/c/5MdawQ5_eps
https://groups.google.com/g/netflik-watchfree-2/c/K05EpjHeY7E
https://groups.google.com/g/netflik-watchfree-2/c/lwY2w_gVDBY
https://groups.google.com/g/netflik-watchfree-2/c/W2UvR-f8HW0
https://groups.google.com/g/netflik-watchfree-2/c/NYnM7ErecYU
https://groups.google.com/g/netflik-watchfree-2/c/AyF21o9Di-s
https://groups.google.com/g/netflik-watchfree-2/c/hrtybXlS7rM
https://groups.google.com/g/netflik-watchfree-2/c/9tiL04DACxs
https://groups.google.com/g/netflik-watchfree-2/c/si-j8Mb79ew
https://groups.google.com/g/netflik-watchfree-2/c/8BoXhtxtwdU
https://groups.google.com/g/netflik-watchfree-2/c/XadrMQ0vIXs


Between the #MeToo movement, which cast many assumptions about traditional definitions of glamour and seduction in a new light, and the pandemic, during which the meaning of “loungewear” evolved from lingerie-for-before-bed into something more akin to athleisure, old notions of loungewear have largely been reassessed. With the result that the category has moved toward stretch and comfort and away from those old Hollywood representations of glamour.

But that doesn’t mean there isn’t something still alluring about the idea of lounging around at home in silk and satin. Or that it can’t be empowering. Those women of the silver screen did, after all, often talk circles around their male co-stars, and Nora Charles was a crack detective.

As Cora Harrington, also known as the blogger “The Lingerie Addict” and author of “In Intimate Detail: How to Choose, Wear and Love Lingerie,” said when I emailed her, “There’s a lavishness and a sensuality in this type of lingerie. Long trains, flowing sleeves, delicate lace, romantic satins, gauzy mesh — these are the sorts of things that only work in the bedroom or private area of the modern-day individual. There’s an allowance for drama and indulgence, and I think many of us want that, even if we’re told we shouldn’t.”
But where to find it?

To discover an answer, I went to Liz Goldwyn, a writer, filmmaker, burlesque expert and founder of TheSexEd.com. “I regularly trawl Etsy looking for vintage 1940s loungewear,” she said. “It is the most ecoconscious way to achieve this vintage glam look, and modern cleaning is a miracle.”

Ms. Harrington agreed, noting, “There are always deals and treasures to be found there, many of which contain fabrics and details that are no longer financially feasible to reproduce.”

If you don’t want to take a chance with vintage, however, and you are working on a budget, Ms. Goldwyn recommended Bettie Page Lingerie, especially the “showgirl wrap tie PJ top and bottom,” and feather robes.
Ms. Harrington suggested looking at KaFemme, from Ukraine, which, she said, “like a lot of Eastern European lingerie, is wonderfully lavish and over-the-top.” Check out this lace and gold gown and peignoir set.

At the higher end of the scale (after all, a select few of these pieces might go a long way, and it’s not as if they go out of style; they’ve already been around for almost a century), or just for inspiration, Ms. Harrington said her “ultimate peignoir/dressing gown experience” was Boudoir by D’Lish, which was “founded by the noted burlesque performer Catherine D’Lish.” And Ms. Goldwyn directed me to this Lunya washable silk high rise pant set, “a modern, minimalist take on old Hollywood loungewear,” as well as Morgan Lane pajamas, for a Barbara Stanwyck or Jean Harlow vibe.

Then go ahead and quote Myrna Loy: “They say the movies should be more like life; I think life should be more like the movies.
https://groups.google.com/g/netflik-watchfree-9/c/HDKwJqcjV9I
https://groups.google.com/g/netflik-watchfree-9/c/5T97GKiWcDQ
https://groups.google.com/g/netflik-watchfree-9/c/ONE_S91vibo
https://groups.google.com/g/netflik-watchfree-9/c/KgGf0QFNOjs
https://groups.google.com/g/netflik-watchfree-9/c/izs6aifEVro
https://groups.google.com/g/netflik-watchfree-9/c/Gs5e7cU92FQ
https://groups.google.com/g/netflik-watchfree-9/c/_Bq2xIP9QBA
https://groups.google.com/g/netflik-watchfree-9/c/BQVg6huyRdQ
https://groups.google.com/g/netflik-watchfree-9/c/AX9Yx1O-668
https://groups.google.com/g/netflik-watchfree-9/c/Z3nU3I8CZF8
https://groups.google.com/g/netflik-watchfree-8/c/CMY2ufkW870
https://groups.google.com/g/netflik-watchfree-8/c/etEU7IfyV6c
https://groups.google.com/g/netflik-watchfree-8/c/zcebnBBJFHU
https://groups.google.com/g/netflik-watchfree-8/c/0KSsefcnnNA
https://groups.google.com/g/netflik-watchfree-8/c/IKZ29qvRxSU
https://groups.google.com/g/netflik-watchfree-8/c/6xl3JPA466g
https://groups.google.com/g/netflik-watchfree-8/c/wSNUNaOPMdM
https://groups.google.com/g/netflik-watchfree-8/c/njKWMo0QtmA
https://groups.google.com/g/netflik-watchfree-8/c/poIMITlRynQ
https://groups.google.com/g/netflik-watchfree-8/c/i1TwD6qgq5I
https://groups.google.com/g/netflik-watchfree-7/c/6hqkxSCwdtw
https://groups.google.com/g/netflik-watchfree-7/c/x_op6wKYfz8
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https://groups.google.com/g/netflik-watchfree-7/c/lD-QldzrJ5A
https://groups.google.com/g/netflik-watchfree-7/c/rEw8NJZGs1M
https://groups.google.com/g/netflik-watchfree-7/c/gsbiWp9eU3g
https://groups.google.com/g/netflik-watchfree-6/c/D4mgPl3cdOo
https://groups.google.com/g/netflik-watchfree-6/c/_HTpqAAvsnA
https://groups.google.com/g/netflik-watchfree-6/c/e1WE8DKDbMg
https://groups.google.com/g/netflik-watchfree-6/c/Xqf7nRhfhmI
https://groups.google.com/g/netflik-watchfree-6/c/JQm-Qt2D_mo
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https://groups.google.com/g/netflik-watchfree-6/c/UVH4aRC0rA4
https://groups.google.com/g/netflik-watchfree-6/c/oZ-8ncmjPow


Between the #MeToo movement, which cast many assumptions about traditional definitions of glamour and seduction in a new light, and the pandemic, during which the meaning of “loungewear” evolved from lingerie-for-before-bed into something more akin to athleisure, old notions of loungewear have largely been reassessed. With the result that the category has moved toward stretch and comfort and away from those old Hollywood representations of glamour.

But that doesn’t mean there isn’t something still alluring about the idea of lounging around at home in silk and satin. Or that it can’t be empowering. Those women of the silver screen did, after all, often talk circles around their male co-stars, and Nora Charles was a crack detective.

As Cora Harrington, also known as the blogger “The Lingerie Addict” and author of “In Intimate Detail: How to Choose, Wear and Love Lingerie,” said when I emailed her, “There’s a lavishness and a sensuality in this type of lingerie. Long trains, flowing sleeves, delicate lace, romantic satins, gauzy mesh — these are the sorts of things that only work in the bedroom or private area of the modern-day individual. There’s an allowance for drama and indulgence, and I think many of us want that, even if we’re told we shouldn’t.”
But where to find it?

To discover an answer, I went to Liz Goldwyn, a writer, filmmaker, burlesque expert and founder of TheSexEd.com. “I regularly trawl Etsy looking for vintage 1940s loungewear,” she said. “It is the most ecoconscious way to achieve this vintage glam look, and modern cleaning is a miracle.”

Ms. Harrington agreed, noting, “There are always deals and treasures to be found there, many of which contain fabrics and details that are no longer financially feasible to reproduce.”

If you don’t want to take a chance with vintage, however, and you are working on a budget, Ms. Goldwyn recommended Bettie Page Lingerie, especially the “showgirl wrap tie PJ top and bottom,” and feather robes.
Ms. Harrington suggested looking at KaFemme, from Ukraine, which, she said, “like a lot of Eastern European lingerie, is wonderfully lavish and over-the-top.” Check out this lace and gold gown and peignoir set.

At the higher end of the scale (after all, a select few of these pieces might go a long way, and it’s not as if they go out of style; they’ve already been around for almost a century), or just for inspiration, Ms. Harrington said her “ultimate peignoir/dressing gown experience” was Boudoir by D’Lish, which was “founded by the noted burlesque performer Catherine D’Lish.” And Ms. Goldwyn directed me to this Lunya washable silk high rise pant set, “a modern, minimalist take on old Hollywood loungewear,” as well as Morgan Lane pajamas, for a Barbara Stanwyck or Jean Harlow vibe.

Then go ahead and quote Myrna Loy: “They say the movies should be more like life; I think life should be more like the movies.
https://groups.google.com/g/netflik-moviesfree-3/c/AphfuoYr1yg
https://groups.google.com/g/netflik-moviesfree-3/c/nDhwcFtqjAU
https://groups.google.com/g/netflik-moviesfree-3/c/0zY1BnFaqCs
https://groups.google.com/g/netflik-moviesfree-3/c/JussVd5x5og
https://groups.google.com/g/netflik-moviesfree-3/c/towTZNOZFwA
https://groups.google.com/g/netflik-moviesfree-3/c/7ryT6tudrXs
https://groups.google.com/g/netflik-moviesfree-3/c/aVtmE9O_1BY
https://groups.google.com/g/netflik-moviesfree-3/c/rQgiadVVQBg
https://groups.google.com/g/netflik-moviesfree-3/c/VS9ojODFHZM
https://groups.google.com/g/netflik-moviesfree-3/c/CElk9nVOD5o
https://groups.google.com/g/netflik-moviesfree-2/c/10pTGp-Wi10
https://groups.google.com/g/netflik-moviesfree-2/c/BeTwTiqYi8Y
https://groups.google.com/g/netflik-moviesfree-2/c/j_3lSS1C-SY
https://groups.google.com/g/netflik-moviesfree-2/c/FjhvJCTfuWg
https://groups.google.com/g/netflik-moviesfree-2/c/brSPO-8wdrc
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https://groups.google.com/g/netflik-moviesfree-2/c/yMn8GSUeba4
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https://groups.google.com/g/netflik-moviesfree-2/c/oK3NmrRbqbI
https://groups.google.com/g/netflik-moviesfree-2/c/VCCXumxKUUI
https://groups.google.com/g/netflik-moviesfree-1/c/BVFzC5m1U0Y
https://groups.google.com/g/netflik-moviesfree-1/c/mFHXr9jVtyw
https://groups.google.com/g/netflik-moviesfree-1/c/91RkShf20Kg
https://groups.google.com/g/netflik-moviesfree-1/c/h2_d5jA4_sI
https://groups.google.com/g/netflik-moviesfree-1/c/S1PSbr5aKnY
https://groups.google.com/g/netflik-moviesfree-1/c/1HjRZrsqTDU
https://groups.google.com/g/netflik-moviesfree-1/c/xT_WMmaTWBs
https://groups.google.com/g/netflik-moviesfree-1/c/APzfPXe8G5M
https://groups.google.com/g/netflik-moviesfree-1/c/b4yQMeE7sys
https://groups.google.com/g/netflik-moviesfree-1/c/iKOU-exbepI
https://groups.google.com/g/netflik-moviesfree-9/c/J1EU_9BDFCU
https://groups.google.com/g/netflik-moviesfree-9/c/8pqtawjpoUQ
https://groups.google.com/g/netflik-moviesfree-9/c/WAPmRfu-myw
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https://groups.google.com/g/netflik-moviesfree-9/c/gN_Agjzdd9c


Between the #MeToo movement, which cast many assumptions about traditional definitions of glamour and seduction in a new light, and the pandemic, during which the meaning of “loungewear” evolved from lingerie-for-before-bed into something more akin to athleisure, old notions of loungewear have largely been reassessed. With the result that the category has moved toward stretch and comfort and away from those old Hollywood representations of glamour.

But that doesn’t mean there isn’t something still alluring about the idea of lounging around at home in silk and satin. Or that it can’t be empowering. Those women of the silver screen did, after all, often talk circles around their male co-stars, and Nora Charles was a crack detective.

As Cora Harrington, also known as the blogger “The Lingerie Addict” and author of “In Intimate Detail: How to Choose, Wear and Love Lingerie,” said when I emailed her, “There’s a lavishness and a sensuality in this type of lingerie. Long trains, flowing sleeves, delicate lace, romantic satins, gauzy mesh — these are the sorts of things that only work in the bedroom or private area of the modern-day individual. There’s an allowance for drama and indulgence, and I think many of us want that, even if we’re told we shouldn’t.”
But where to find it?

To discover an answer, I went to Liz Goldwyn, a writer, filmmaker, burlesque expert and founder of TheSexEd.com. “I regularly trawl Etsy looking for vintage 1940s loungewear,” she said. “It is the most ecoconscious way to achieve this vintage glam look, and modern cleaning is a miracle.”

Ms. Harrington agreed, noting, “There are always deals and treasures to be found there, many of which contain fabrics and details that are no longer financially feasible to reproduce.”

If you don’t want to take a chance with vintage, however, and you are working on a budget, Ms. Goldwyn recommended Bettie Page Lingerie, especially the “showgirl wrap tie PJ top and bottom,” and feather robes.
Ms. Harrington suggested looking at KaFemme, from Ukraine, which, she said, “like a lot of Eastern European lingerie, is wonderfully lavish and over-the-top.” Check out this lace and gold gown and peignoir set.

At the higher end of the scale (after all, a select few of these pieces might go a long way, and it’s not as if they go out of style; they’ve already been around for almost a century), or just for inspiration, Ms. Harrington said her “ultimate peignoir/dressing gown experience” was Boudoir by D’Lish, which was “founded by the noted burlesque performer Catherine D’Lish.” And Ms. Goldwyn directed me to this Lunya washable silk high rise pant set, “a modern, minimalist take on old Hollywood loungewear,” as well as Morgan Lane pajamas, for a Barbara Stanwyck or Jean Harlow vibe.

Then go ahead and quote Myrna Loy: “They say the movies should be more like life; I think life should be more like the movies.
https://groups.google.com/g/netflik-moviesfree-7/c/luTAnPIglZg
https://groups.google.com/g/netflik-moviesfree-7/c/2GnBb5RnAxQ
https://groups.google.com/g/netflik-moviesfree-7/c/_mye00TOIPk
https://groups.google.com/g/netflik-moviesfree-7/c/cDqIaKN17aM
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